Gabe Lee - London

Camden Club, London (NW1 8AN)
Thu, 11 Jul 2024

(7:00pm Doors)

14+ only. Under 16s accompanied by adult (adult must provide ID).


£23.50 (VAT and Fees included) 

70% GONE

In stock


Acclaimed Nashville musician, Gabe Lee, brings his incredible songwriting skills to the UK. Having been name-checked by everyone from Rolling Stone to Barack Obama, it’s no wonder Gabe is one of the top country, folk, and rock artists to watch.

PLEASE NOTE: This is an intimate performance in a small venue – tickets are extremely limited.


Equal parts classic songwriter and modern-day storyteller, Gabe Lee has built his own bridge between country, folk, and rock. Lee has been collecting stories for years, both on stage and off.

“I used to bartend,” says the Nashville-based songwriter, “which means I was also a cheap therapist for whomever happened to be sitting on the barstool. Whether they were there to celebrate or drink away their problems, I heard about whatever they were going through. It was my job to have that face-to-face interaction—that connection. Being a full-time musician isn’t much different.”

With critically-acclaimed albums like 2019’s farmland, 2020’s Honky-Tonk Hell, and 2022’s The Hometown Kid, Lee created that connection by delivering his own stories to an ever-growing audience. His fourth record, Drink the River, takes a different approach. This time, Lee isn’t offering listeners a peek into his internal world; he’s holding up a mirror to reflect their own.

Storytelling has been an anchor of Lee’s music since the very beginning. Raised by Taiwanese parents in Nashville, TN, he left home during his teenage years and headed to Indiana, where he obtained college degrees in literature and journalism. Lee launched his career as a genre-bending musician after returning to Tennessee, quickly progressing from dive bar gigs to high-profile opening slots (including shows with Jason Isbell, Los Lobos, Molly Tuttle, and other artists who, like him, blurred the lines between roots-rock, country, and other forms of American folk music) to his own headlining shows.

Throughout it all, he drew upon the narrative skills he’d sharpened as a student. If albums like Honky-Tonk Hell and The Hometown Kid often unfolded like autobiographical entries from his road journal, then Drink the River shows an even broader range of his storytelling abilities. Lee isn’t just writing songs about himself; he’s writing songs about all of us. And maybe, in doing so, he can bring us a little closer together.